|
Theory/Concept
|
Brief Explanation
|
Relevant to… (Print/Video/Website)
|
|
Reception
Theory (preferred/negotiated/oppositional reading
|
Audience theory: audiences are active and respond to media texts
independently and differently.
|
All
|
|
Encoding/Decoding
|
Audience theory: how meaning is created and understood in a text.
|
All
|
|
Postmodernism
|
All texts are influenced by those that come before - something is ‘original’
due to the new way it represents existing themes and conventions.
|
All
|
|
Uses
and Gratifications (Denis McQuail)
|
Audience theory: audiences are active and use media texts for different
reasons/pleasures.
|
All
|
|
Barthes:
Narrative codes (Enigma, referential, sequential etc.)
|
Narrative theory: how meaning is created and understood in a text.
|
All
|
|
Levi
Strauss: Binary Opposites
|
Narrative theory: how meaning is created through the use of opposites.
|
All
|
|
Laura
Mulvey: Male Gaze
|
Feminist theory: representation of women in the media.
|
All
|
|
Todorov: Narrative Structure
|
Narrative theory: states that
narratives have set stages, which are recognisable.
|
Video
|
|
Dyer: Star Theory
|
Popstars are constructs/commodities that are sold to audiences.
|
Print
|
|
Gramsci:
Hegemony
|
Dominant ideologies and beliefs are constructed by those with power
and projected to those with less ‘power’.
|
All
|
|
Maslow’s
Hierarchy of Motives
|
Audience theory: audiences are motivated to use media products for different
reasons/motives.
|
All
|
|
Propp: Character Functions
|
Stereotypical character functions within a text.
|
All
|
|
Fiske: Genre
|
How and why we have the categorization of texts.
|
All
|
|
Archetypes
|
Characters/representation theory: Archetypes are prototypes, from
which other characters/artists are constructed.
|
All
|
|
Mode
of Address
|
How a text communicates with the audience.
|
All
|
|
Desensitisation
Theory
|
Audiences are no longer shocked by what they see in the media as they
have become desensitised.
|
All
|
Thursday, 19 December 2013
Useful Media Theories
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